Proserpina:Origin as Libera:libertas

MY REVELATION 12 LOTR ETC.CASTLE IN MY HOMETOWN IS STILL HAPPENING.SEALED. SAKIEMLAYECHID.SAKIYECHID.SKIEMLAYECHID.SAKIEMLAYECHID.

"I AM THEE WOMAN."THIS MIRACULOUS HEBREW EVERLASTING MARRIAGE BLOOD COVENANT IS OF WHO IAM STANDING ON THE REVELATION 12 LOTR ETC.CLIFF'S EDGE:MOON."LOTR ETC.

NICOLE WILL NOT STOP TRYING TO MURDER WHO IAM&WILL NOT STOP THINKING SHE IS GOING TO GET MY HUSBANDS TO DIVORCE WHO IAM&LEAVE NATALIE(JORDAN)&GO&MARRY HER&I AM NOT JUST SAYING THIS.

Kimberly Marie(MARY) Lapointe-HANSON(1971)Ma "kimchi"REV.12🛫

🛫

*AND:I AM:"L'IRIS"

A SEXUALLY-BROKEN HYMEN IS NOT ALLOWED.

 la Rose.(fleurira la Rose)(quand fleurira la Rose)
A SEXUALLY-BROKEN HYMEN IS NOT ALLOWED.

*I AM THE ROSE SPOKEN OF IN THE REVELATION 12 LOTR ETC.PROPHECIES&GOD MADE A MIRACULOUS PICTURE OF MY SELF IN THIS ROSE.
*I AM REPRESNTED BY:THE ROSE.
*I AM LIKENED UNTO:MARY MAGDELENE.

Earthquakes Ciburial..."*NO.TO ANY:CHRIST IRIS BURIAL IRIS NOAH DOOR NOAH 
EVE II SION:SAVIOUR IRIS OMEGA NOAH ALPHA:*GOD TOLD U THAT I AM NOT DEAD, *AND THAT I WILL NOT EVER BE DEAD AS WHO IAM ETERNALLY SEALED IN AS. *TIMES EVERY DIRECTION AND EVERY PLACE. *TIMES INFINITY.

*GOOGLE....." IS/ARE TRYNG TO LU-LOO-LOU BURY WHO IAM FOR  A LUCIFEREAN REPLACEMENT COUPLE.

*THEY ARE NOT ANYONE THAT THIS IS ABOUT...."IN ANY WAY THAT THEY EVER WANTED TO KNOW ABOUT

Exodus 20:14 Context

¹¹For in six days the LORD made heaven and earth, the sea, and all that in them is, and rested the seventh day: wherefore the LORD blessed the sabbath day, and hallowed it. ¹²Honour thy father and thy mother: that thy days may be long upon the land which the LORD thy God giveth thee. ¹³Thou shalt not kill. ¹⁴Thou shalt not commit adultery. ¹⁵Thou shalt not steal. ¹⁶Thou shalt not bear false witness against thy neighbour. ¹⁷Thou shalt not covet thy neighbour's house, thou shalt not covet thy neighbour's wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour's. 

17 When Abram was ninety-nine years old, the Lord appeared to Abram and said to him, “I am ^[a]Almighty God; walk before Me and be blameless. ² And I will make My covenant between Me and you, and will multiply you exceedingly.” ³ Then Abram fell on his face, and God talked with him, saying:⁴ “As for Me, behold, My covenant is with you, and you shall be a father of ^[b]many nations. ⁵ No longer shall your name be called ^[c]Abram, but your name shall be ^[d]Abraham; for I have made you a father of ^[e]many nations. ⁶ I will make you exceedingly fruitful; and I will make nations of you, and kings shall come from you. ⁷ And I will establish My covenant between Me and you and your descendants after you in their generations, for an everlasting covenant, to be God to you and your descendants after you.⁸ Also I give to you and your descendants after you the land in^[f] which you are a stranger, all the land of ISRAEL an everlasting possession; and I will be their God.”

(1971) (1971) (1971) 

Rescue, CA Earthquakes | Homefacts

https://www.homefacts.com/earthquakes/California/...

Rescue, CA has a moderate earthquake risk, with a total of 8 earthquakes since 1931. The USGS database shows that there is a 26.89% chance of a major earthquake within 50km of Rescue, CA within the next 50 years. The largest earthquake within 30 miles of Rescue, CA was a 2.8 Magnitude in 2002.

Rescue, CA Earthquakes | Homefacts

https://www.homefacts.com/earthquakes/California/...

Rescue, CA has a moderate earthquake risk, with a total of 8 earthquakes since 1931. The USGS database shows that there is a 26.89% chance of a major earthquake within 50km of Rescue, CA within the next 50 years. The largest earthquake within 30 miles of Rescue, CA was a 2.8 Magnitude in 2002.

Dante Gabriel Rossetti - Proserpine - Google Art Project

The Rape of Proserpina by Hans von Aachen (1587)

Copy of The Rape of Proserpina by Vincenzo de' Rossi, on view near Cliveden House

Rape of Proserpenie, by Luca Giordano (1684-1686)

Rape of Proserpina, by Ulpiano Checa

Proserpina (/proʊˈsɜːrpɪnə/ proh-SUR-pin-ə,^[1] Latin: [proːˈsɛrpɪna]) or Proserpine (/proʊˈsɜːrpɪni, ˈprɒsərpaɪn/ proh-SUR-pin-ee, PROSS-ər-pyne^[1]) is an ancient Roman goddess whose cult, myths and mysteries were combined from those of Libera an early Roman goddess of wine. In Greek she is known as Persephone and her mother is Demeter, goddesses of grain and agriculture. The originally Roman goddess Libera was daughter of the agricultural goddess Ceres and wife to Liber, god of wine and freedom. In 204 BC, a new "Greek-style" cult to Ceres and Proserpina as "Mother and Maiden" was imported from southern Italy, along with Greek priestesses to serve it, and was installed in Libera and Ceres' temple on Rome's Aventine Hill. The new cult and its priesthood were actively promoted by Rome's religious authorities as morally desirable for respectable Roman women, and may have partly subsumed the temple's older, native cult to Ceres, Liber and Libera; but the new rites seem to have functioned alongside the old, rather than replaced them.

Just as Persephone was thought to be a daughter of Demeter, Romans made Proserpina a daughter of Demeter's Roman equivalent, Ceres. Like Persephone, Proserpina is associated with the underworld realm and its ruler; and along with her mother Ceres, with the springtime growth of crops and the cycle of life, death and rebirth or renewal. Her name is a Latinisation of "Persephone", perhaps influenced by the Latin proserpere ("to emerge, to creep forth"), with respect to the growing of grain. Her core myths – her forcible abduction by the god of the Underworld, her mother's search for her and her eventual but temporary restoration to the world above – are the subject of works in Roman and later art and literature. In particular, Proserpina's seizure by the god of the Underworld – usually described as the Rape of Proserpina, or of Persephone – has offered dramatic subject matter for Renaissance and later sculptors and painters.

Origin as Libera[edit]

In early Roman religion, Libera was the female equivalent of Liber ('the free one'). She was originally an Italic goddess; at some time during Rome's Regal or very early Republican eras, she was paired with Liber, also known as Liber Pater ('the free father'), Roman god of wine, male fertility, and a guardian of plebeian freedoms.^[2] She enters Roman history as part of a Triadic cult alongside Ceres and Liber, in a temple established on the Aventine Hill around 493 BC. The location and context of this early cult mark her association with Rome's commoner-citizens, or plebs; she might have been offered cult on March 17 as part of Liber's festival, Liberalia, or at some time during the seven days of Cerealia (mid- to late April); in the latter festival, she would have been subordinate to Ceres. Otherwise, her relationship to her Aventine cult partners is uncertain; she has no known native mythology.

Libera was officially identified with Proserpina in 205 BC, when she acquired a Romanised form of the Greek mystery rites and their attendant mythology. In the late Republican era, Cicero described Liber and Libera as Ceres' children. At around the same time, possibly in the context of popular or religious drama, Hyginus equated her with Greek Ariadne, as bride to Liber's Greek equivalent, Dionysus.^[3] The older and newer forms of her cult and rites, and their diverse associations, persisted well into the late Imperial era. St. Augustine (AD

Cult

Proserpina was officially introduced to Rome around 205 BCE, along with the ritus graecia cereris (a Greek form of cult dedicated to her mother Ceres), as part of Rome's general religious recruitment of deities as allies against Carthage, towards the end of the Second Punic War. The cult originated in southern Italy (part of Magna Graecia) and was probably based on the women-only Greek Thesmophoria, a mystery cult to Demeter and Persephone as "Mother and Maiden". It arrived along with its Greek priestesses, who were granted Roman citizenship so that they could pray to the gods "with a foreign and external knowledge, but with a domestic and civil intention".^[5] The new cult was installed in the already ancient Temple of Ceres, Liber and Libera, Rome's Aventine patrons of the plebs; from the end of the 3rd century BC, Demeter's temple at Enna, in Sicily, was acknowledged as Ceres' oldest, most authoritative cult centre, and Libera was recognised as Proserpina, Roman equivalent to Demeter's daughter Persephone.^[6] Their joint cult recalls Demeter's search for Persephone, after the latter's rape and abduction into the underworld by Hades (or Pluto). At the Aventine, the new cult took its place alongside the old. It made no reference to Liber, whose open and gender-mixed cult continued to play a central role in plebeian culture, as a patron and protector of plebeian rights, freedoms and values. The exclusively female initiates and priestesses of the new "Greek-style" mysteries of Ceres and Proserpina were expected to uphold Rome's traditional, patrician-dominated social hierarchy and traditional morality. Unmarried girls should emulate the chastity of Proserpina, the maiden; married women should seek to emulate Ceres, the devoted and fruitful Mother. Their rites were intended to secure a good harvest, and increase the fertility of those who partook in the mysteries.^[7]

A Temple of Proserpina was located in a suburb of Melite, in modern Mtarfa, Malta. The temple's ruins were quarried between the 17th and 18th centuries, and only a few fragments survive.^[8]

Myths

The best-known myth surrounding Proserpina is of her abduction by the god of the Underworld, her mother Ceres' frantic search for her, and her eventual but temporary restitution to the world above. In Latin literature, several versions are known, all similar in most respects to the myths of Greek Persephone's abduction by the King of the underworld, named variously in Greek sources as Hades or Pluto. "Hades" can mean both the hidden Underworld and its king ('the hidden one'), who in early Greek versions of the myth is a dark, unsympathetic figure; Persephone is "Kore" ('the maiden'), taken against her will;^[9] in the Greek Eleusinian Mysteries, her captor is known as Pluto; they form a divine couple who rule the underworld together, and receive Eleusinian initiates into some form of better afterlife. Renamed thus, the king of the underworld is distanced from his consort's violent abduction.^[10] In the early 1st century CE, Ovid gives two poetic versions of the myth in Latin: one in Book 5 of his Metamorphoses (Book 5) and another in Book 4 of his Fasti.^[11] An early 5th century Latin version of the same myth is Claudian's De raptu Proserpinae; in most cases, these Latin works identify Proserpina's underworld abductor and later consort by the Roman god of the underworld's traditional Latin name, Dis.

Venus, in order to bring love to Pluto, sent her son Amor (also known as Cupid) to hit Pluto with one of his arrows. Proserpina was in Sicily, at the Pergusa Lake near Enna, where she was playing with some nymphs and collecting flowers, when Pluto came out from the volcano Etna with four black horses named Orphnaeus, Aethon, Nycteus and Alastor.^[12] He abducted her in order to marry her and live with her in the underworld of which he was the ruler.

Her mother Ceres, also known as Demeter, the goddess of agriculture or of the Earth, went looking for her across all of the world, and all in vain. She was unable to find anything but a small belt floating upon a little lake made from the tears of the nymphs. In her desperation, Ceres angrily stopped the growth of fruits and vegetables, bestowing a malediction on Sicily. Ceres refused to return to Mount Olympus and started walking the Earth, creating a desert with each step.

Worried, Jupiter sent Mercury to order Pluto (Jupiter's brother) to free Proserpina. Pluto obeyed, but before letting her go he made her eat six pomegranate seeds, because those who have eaten the food of the dead could not return to the world of the living. This meant that she would have to live six months of each year with him, and stay the rest with her mother. This story was undoubtedly meant to illustrate the changing of the seasons: when Ceres welcomes her daughter back in the spring the earth blossoms, and when Proserpina must be returned to her husband it withers.

In another version of the story, Proserpina ate only four pomegranate seeds, and she did so of her own accord. When Jupiter ordered her return, Pluto struck a deal with Jupiter, saying that since she had stolen his pomegranate seeds, she must stay with him four months of the year in return. For this reason, in spring when Ceres receives her daughter back, the crops blossom, and in summer they flourish.

In the autumn Ceres changes the leaves to shades of brown and orange (her favorite colors) as a gift to Proserpina before she has to return to the underworld. During the time that Proserpina resides with Pluto, the world goes through winter, a time when the earth is barren.

Orpheus and Eurydice[edit]

The most extensive myth of Proserpina in Latin is Claudian's (4th century CE). It is closely connected with that of Orpheus and Eurydice. In Virgil's Georgics, Orpheus' beloved wife, Eurydice, died from a snake-bite; Proserpina allowed Orpheus into Hades without losing his life; charmed by his music, she allowed him to lead his wife back to the land of the living, as long as he did not look back during the journey. But Orpheus could not resist a backward glance, so Eurydice was forever lost to him.

Libertas - Wikipedia

https://en.wikipedia.org/wiki/Libertas

Libertas (Latin for 'liberty or freedom') is the Roman goddess and personification of liberty. She became a politicised figure in the Late Republic, featured on coins supporting the populares faction, and later those of the assassins of Julius Caesar.

• Greek equivalent: Eleutheria

• Symbol: Pileus, rod (vindicta or festuca)

Palazzo Massimo alle Terme

Denarius (42 BC) issued by Cassius Longinus and Lentulus Spinther, depicting the crowned head of Libertas, with a sacrificial jug and lituus on the reverse

*Tas=Taylor Saviour in this revelation 12 lotr etc.anagram

The Statue of Liberty (Liberty Enlightening the World) in New York derives from the ancient goddess Libertas

Temples

Libertas (Latin for 'liberty or freedom') is the Roman goddess and personification of liberty. She became a politicised figure in the Late Republic, featured on coins supporting the populares faction, and later those of the assassins of Julius Caesar. Nonetheless, she sometimes appears on coins from the imperial period, such as Galba's "Freedom of the People" coins during his short reign after the death of Nero.^[1] She is usually portrayed with two accoutrements: the rod and the soft pileus, which she holds out, rather than wears.

The Greek equivalent of the goddess Libertas is Eleutheria, the personification of liberty. There are many post-classical depictions of liberty as a person which often retain some of the iconography of the Roman goddess.

The Roman Republic was established simultaneously with the creation of Libertas and is associated with the overthrow of the Tarquin kings. She was worshiped by the Junii, the family of Marcus Junius Brutus the Younger.^[6] In 238 BC, before the Second Punic War, Tiberius Sempronius Gracchus built a temple to Libertas on the Aventine Hill.^[7] Census tables were stored inside the temple's atrium. A subsequent temple was built (58–57 BC) on Palatine Hill, another of the Seven hills of Rome, by Publius Clodius Pulcher. By building and consecrating the temple on the site of the former house of then-exiled Cicero, Clodius ensured that the land was legally uninhabitable. Upon his return, Cicero successfully argued that the consecration was invalid and thus managed to reclaim the land and destroy the temple. In 46 BC, the Roman Senate voted to build and dedicate a shrine to Libertas in recognition of Julius Caesar, but no temple was built; instead, a small statue of the goddess stood in the Roman Forum.^[8]

The goddess Libertas is also depicted on the Great Seal of France, created in 1848. This is the image which later influenced French sculptor Frederic-Auguste Bartholdi in the creation of his statue of Liberty Enlightening the World.

Libertas, along with other Roman goddesses, has served as the inspiration for many modern-day personifications, including the Statue of Liberty on Liberty Island in the United States. According to the National Park Service, the Statue's Roman robe is the main feature that invokes Libertas and the symbol of Liberty from which the statue derives its name.^[9]

In addition, money throughout history has borne the name or image of Libertas. As "Liberty", Libertas was depicted on the obverse (heads side) of most coinage in the U.S. into the twentieth century – and the image is still used for the American Gold Eagle gold bullion coin. The University of North Carolina records two instances of private banks in its state depicting Libertas on their banknotes;^[10][11] Libertas is depicted on the 5, 10 and 20 Rappen denomination coins of Switzerland.

The symbolic characters Columbia who represents the United States and Marianne, who represents France, the Statue of Liberty (Liberty Enlightening the World) in New York Harbor, and many other characters and concepts of the modern age were created, and are seen, as embodiments of Libertas.