~LO'T-R - All Arwen's high vocal soundtracks and Eagle theme~
~k-lā~
Englishman's Concordance
k-lā- — 1 Occurrence
Deuteronomy 5:13
H-E'B: תַּֽעֲבֹ֔ד֮ וְעָשִׂ֖֣יתָ כָּֿל־ מְלַאכְתֶּֽךָ֒׃
NA-S: you shall labor and do all your work,
I-NT: shall la-bo-r and do all your work
Englishman's Concordance
~kim·la-q·q'ê-ṭ — 1 Occurrence~
I-sa-ia-h 17:5
H-E-B: יִקְצ֑וֹר וְהָיָ֛ה כִּמְלַקֵּ֥ט שִׁבֳּלִ֖ים בְּעֵ֥מֶק
NA-S: the ears, Or it will be like one gleaning ears of grain
KJ-V: with his arm; and it shall be as he that gathereth ears
I-NT: harvests become gleaning ears the valley
~Ar-ki`~
Strong's Concordance
Ar-ki: a native of a place in Palestine
Part of Speech: Adjective
Transliteration: Ar-ki
Phonetic Spelling: (ar-k-ee')
Definition: a native of a place in Palestine
Lexicon :: Strong's H-6-19-0 - ʿār-lâ
עָרְלָה
Transliteration
ʿār-lâ
Pronunciation
o-r-la-w'
Part of Speech
feminine noun
~ὩA-ki-la-h~
Strong's Concordance
ὩA-ki-la-h: an eating, a
meal
Original Word: אֲכִילָה
Part of Speech: Noun
Feminine
Transliteration: A-ki-la-
h
Phonetic Spelling:(A-k-
ee-la-w')
Definition: an eating, a
me-a-l
~Ὡ"AKILaH"(A-KI-La-H)`=
~ὩALPHA KIM LAPOINTE HOLY- GRAIL~
*Ὡ(A-k-ee-la-w')="ALPHA KIM EVE II LAPOINTE WIFE."
~kim·rî·rê~
Englishman's Concordance
~kim·rî·rê — 1 Occurrence~
J-o-b 3:5
H-E-B: עֲנָנָ֑ה יְ֝בַעֲתֻ֗הוּ כִּֽמְרִ֥ירֵי יֽוֹם׃
NA-S: settle on it; Let the blackness of the day
KJ-V: dwell upon it; let the blackness of the day
I-NT: A cloud terrify the blackness of the day
~kim-ri-r~
Strong's Concordance
~kim-ri-r: darkness,
gloominess
Part of Speech: Noun
Transliteration: kim-r-i-r
Phonetic Spelling: (kim-r-ee-r')
Definition: darkness, gloominess
*Arwen is signified by her:so-b-ri-qu-e-t "Un-dó-m-ie-l" which means "Evenstar".
Arwen (literally, "noble maiden") is the last brilliant embodiment of: Elvish beauty and grace in the waning years of their relevance in the Third Age of Middle Earth.
7-4(4).)ar-ye-h |
Strong's Concordance ar-ye-h: a lion Part of Speech: Noun Masculine Transliteration: ar-ye-h Phonetic Spelling: (ar-y'ay') Definition: a lion ■AR-YE-H=ARAGORN II YE-S-HU-A HUSBAND. ■JESUS CHRIST: THEE-HEBREW MESSIAH: EMMANUEL, IS:ARAGORN II. ■AND:GOD HAS:ALREADY CONFIRMED THIS ABSOLUTE FACT OF: HEBREW SCRIPTURAL MATTER. ■AND:FINAL ANSWERS ARE: SEALED IN: BLOOD. ■I AM:ARWEN(AR-KI) AND:AR-La AND:AR-LA. ■ JESUS CHRIST THEE-HEBREW MESSIAH:EMMANUEL IS: AR-YE-H AND: THIS=(ARAGORN II YE-S-HU-A HUSBAND. |
■ AND IN:THIS ONE: GOD MADE SURE TO: TRANSLATE WHO: JESUS AND I, AS:ONE-FLESH:MARRIED.
■ETERNALLY.
H-7-3-8
אריה ארי
☆Aryeh
Transliteration
'ar-i-y; ar-ee'
☆"Aragorn II-Iris-Yeshua; ☆Arwen-ee"(Second-And:Final Eve).
Pronunciation
ar-A-y-a'y'
Parts of Speech
n m
Root Word (Etymology)
from 71-7 (in the sense of violence)
*~AND:REVELATION 12 LOT-RE-T-C CONFIRMATION:CONFIRMATION BY:GOD IN:JESUS'S HOLY NAMES:COVID-19- WITH:FACEMASKS DURING:REVELATION 12 LOT-RE-T-C.
*FINAL ANSWERS ARE:SEALED-ETERNALLY-IN.
■REVELATION 12 LO'T-RE-T-C ON:THE BIBLE IS ABSOLUTELY CLEAR THAT THERE IS:NO-RACE-MIXING-ALLOWED& THAT U ARE NOT ALLOWED TO: DIVIDE: JESUS AND: I,
■ ASSUNDER.
*Strong Hebrew #10-67 - בְּכִירָה b'e-ki-
ra-h
*(first-born (always of women))
| Original Word: | בְּכִירָה |
| Transliteration: | b'e-ki-ra-h |
| Definition: | first-born (always of women) |
| Part of Speech: | Noun Feminine |
| Phonetic Spelling: | (be-k-ee- ra-w') |
Englishman's Concordance
1) firstborn daughter, firstborn (of
women)
1a) always used of women
Part of Speech: noun feminine
~Evenstar (Extended, E't'
h'
e-
re-a'l)~
*"an-i-
i'
t'
a-
e'
w"
~5.8-9. an-i~
Strong's Concordance
an-i: I
Part of Speech: p'ro-noun
Transliteration: an-i
Phonetic Spelling: (an-ee')
Definition: I
*"an"= ALPHA NOAH
*"I"=Iris
~5-9-5. an-o-ki~
Strong's Concordance
an-o-ki: I
Original
Word: אָנֹכִי
Part
of Speech: pronoun
Transliteration: an-o-ki
Phonetic
Spelling: (aw-n- o-k-ee')
Definition: I
*"an"= ALPHA NOAH
*"O"=OMEGA(OM-E-G'A)(O-ME-G-A)
*"I"=Iris
*AND:"NO"=NOAH.
~6-02. an-a-q~
Strong's Concordance
an-a-q: to cry, groan
Part of Speech: Verb
Transliteration: an-a-q
Phonetic Spelling: (a'w-na-k')
Definition: to cry, groan
*&IF,U,KNOW:THEE-HEBREW SCRIPTURES,THEN,U,KNOW WHAT:SIGNIFICANCE:6-02
*IS FOR WHO:JESUS AND I,ARE.
*IT IS;TWICE:ISAIAH:9:6
*&GOD IS:THE ONLY FATHER IN:THOSE VERSES TO:ISRAEL AND THE TRUE-CHURCH SPOKEN OF.
*NOT:JESUS CHRIST TO:THE WORLD:THE CHURCH:TO:ISRAEL.
*JESUS IS THE ONLY HOLY BEGOTTEN SON OF:THE FATHER.
*HE IS:THE SON &A SPIRTUAL BROTHER.
*JESUS CHRIST;THEE-HEBREW *MESSIAH:EMMANUEL:IS ONLY:MY- *REAL DNA-FATHER AND HUSBAND...."-*ETERNAL
*NOT TO:ANY OTHER IN THE LITERAL SENSE OR: ANYONE ELSE'S DNA-FATHER,
*OR ANY KIND OF FATHER IN THIS WAY.
*HOWEVER:HE IS:MY(OUR) DAUGHTERS' FATHER, THROUGH:CONDUITS THAT:GOD HAD: CHOSEN.
*"LE" IS :LaPOINTE EVE AND:LaPOINTE ETERNAL,
*AND:L'EDGE.
*I,AM:"L'IRIS."
~7-7-9-9. s-hus-han or s-ho-s-han
or s-ho-s-han-n-a'h~
Strong's Concordance
s-hus-han or s-ho-s-han
or:
s-ho-s-han-n-
a'h:
probably lily (or: any lily-like flower)
Part of Speech: Noun
Transliteration: s-hus-han or: s-ho-s-han or: s-ho-s-han-n-
a'h
Phonetic Spelling: (s-ho-o-s-han')
Definition: probably lily (or any lily-like flower)
Phonetic Spelling: (s-ho-o-s-han')
Definition: probably lily (or any lily-like flower)
~7-8-01. S-hus-han-k'-
a-ye~
Strong's Concordance
S-hus-han-k'
a-ye:
*inhab. of S-usa
Part of Speech: Proper Name
Transliteration: S-hus-han-k'
a-ye
Phonetic Spelling: (s-ho-o-s-han-k'-ee')
Definition: inhab.of: S-usa
Phonetic Spelling: (s-ho-o-s-han-k'-ee')
Definition: inhab.of: S-usa
~7-8-03. S- hu- t' h'-
e-la-ch~
Strong's Concordance
S-hu-t'h'-e-la-ch: an Ephraimite name
Part of Speech: Proper Name
Transliteration: S'hu-t'-h
e-la-ch
Phonetic Spelling: (s-ho-o-t'h
Phonetic Spelling: (s-ho-o-t'h
e'h'-la-kh)
Definition: an Ephraimite name
Definition: an Ephraimite name
~7-8-07. s-ha-ch~
Strong's Concordance
s-ha-ch: low, lowly
Part of Speech: Adjective
Transliteration: s-ha-ch
Phonetic Spelling: (s-ha-kh)
Definition: low, lowly
2
*LOWLY="in a humble or meek manner."
*THEE-HEBREW SCRIPTURES:DEFINE "HOW WE ARE:LOWLY." AND THIS IS *THE CORRECT DEFINITION.
(in a humble or meek manner)
~5.8-96. Ir-a~
Strong's Concordance
Part of Speech: Proper Name
Transliteration: Ir-a
Phonetic Spelling: (ee-r'a-w')
Definition:
~7-8-08. s'ea-ch~
Strong's Concordance
s-ea-ch: a thought
Part of Speech: Noun
Transliteration: s-ea-ch
Phonetic Spelling: (sa-y'-a-kh)
Definition: a thought
~33-(7-4.) y'ir-a'h~
Strong's Concordance
y'ir-a-h: a fear
Part of Speech: Noun Feminine
Transliteration: y'ir-a'h
Phonetic Spelling: (y'ir-a'w')
Definition: a fear
*awesome (1), extremely* (1), fear (35), fearing (1), reverence (5)
*Strong's Exhaustive Concordance
dreadful, exceedingly, fearfulnessFeminine of ya're'; fear (also used as infinitive); morally, reverence -- X dreadful, X exceedingly, fear(-fulness).
~33-7-5. Y-iron~
Strong's Concordance
Y-iron: a city in Na-p'
h-tal-i
Part of Speech: Proper Name Location
Transliteration: Y-ir-o'n
Phonetic Spelling: (yir-o'h-n')
Definition: a city in Na-p-
h'
t'al-i
~kim·rî·mê~
Englishman's Concordance
kim·rî·mê — 1 OccurrenceH'os-ea 11:4
H'E-B: וָאֶהְיֶ֥ה לָהֶ֛ם כִּמְרִ֥ימֵי עֹ֖ל עַ֣ל
NA-S: And I became to them as one who lifts the yoke
KJ-V: of love: and I was to them as they that take off the yoke
I-NT: of love became lifts the yoke from
*"ME"(me)"ACCORDING TO:THEE-HEBREW SCRIPTURES=MESSIAH.
*FINAL ANSWER.
~b'a·hă·rî·mə·ḵ’em~
Englishman's Concordance
ba·hă·rî·mə·ḵem — 2 Occurrences
Number-s
18:30
H'E-B: וְאָמַרְתָּ֖
אֲלֵהֶ֑ם בַּהֲרִֽימְכֶ֤ם אֶת־
חֶלְבּוֹ֙
NA-S: You
shall say to
them, 'When you have offered from
it the best
KJ-V: Therefore
thou shalt say unto
them, When ye have heaved the
best
I-NT: shall
say to have
offered the
best then
Number-s
18:32
H'E-B: עָלָיו֙
חֵ֔טְא בַּהֲרִֽימְכֶ֥ם אֶת־
חֶלְבּ֖וֹ
NA-S: by
reason of
it when you have offered the
best
KJ-V: no
sin by
reason of it, when ye have heaved from
it the best
I-NT: reason
sin have
offered the
best at
&JESUS'S AND MY:REVELATION 12 LOT-RE--TC MIRACLES.SIGNS,
*AND WONDERS:ARE ABSOLUTE REAL.
*THEY ARE NOT:OPTICAL ILLUSIONS.
*ALREADY PROVEN THAT,PEOPLE EVERYWHERE,SEE;THE-EXACT SAME MIRACULOSU PICTTURE CONFIRMATIONS.
&ESPECIALLY WITH:THE SOCIAL MEDIA'S ON THIS,THE YHAVE ABSOLUTELY HELPED TO:PROVE THIS ALONE WITH:PASTORS&ANYONE ELSE WHO IS SEEING THEM.
*THEY ARE NO:OPTICAL-ILLUSION.
MY BODY HAS MIRACULOUS SCULTINGS:MARKINGS;BRANDINGS FROM:GOD:IN;JESUS'S HOLY NAMES AND:EVERYONE SEES THE SAME EXACT MIRACULOUS PICTURES.
*THEE-HEBREW SCRIPTURES IS ABSOLUTELY CLEAR TO CONFIRM THESE MARKINGS THAT, ARE"MIRACULOUSLY ON:MY BODY.
*OTHER PEOPLE MAY, HAVE:DELUSIONARY PICTURES THEY CALL:MIRACULOUS BUT,NOT,
*JESUS AND:I.
~3-5.8-(7.) ki~
Strong's Concordance
ki: a burning, branding
Part of Speech: Noun
Transliteration: ki
Phonetic Spelling: (k-ee)
Definition: a burning, branding
~3-5-8-(8.) ki~
Strong's Concordance
ki: that, for, when
Part of Speech: Conjunction
Transliteration: ki
Phonetic Spelling: (k-ee)
Definition: that, for, when
*~THERE IS NO-SUCH FLAME AS AN:ETERNAL ONE(FLAME), FOR:LUCIFER AND:WHO I,AM.~
*I,MAY HAVE HAD HELP, IN:PROPHECY TO: HOLD/STEADY MY ARM,
* STEADY WHILE, TO SHOOT THE ARROW,TO LIGHT IT,
BUT,IT IS NOT FOR WHO HE IS.
*PRINCESS DIARIES.
GOOGLE WANTS TO:SHUT DOWN,WHO:JESUS AND I,ARE,
*AS:A MARRIED COUPLE IN, A:LITTLE WHILE.
*THIS IS AN:ABSOLUTE DEATH THREAT.
*I,AM:REPORTING WHO:THEY ARE AGAIN.
*&PEOPLE ARE:TRYING TO:SAY THAT THEY NOW HAVE:MIRACLES,
*IN THEIR FOOD...."
*THEY ARE COPYING:JESUS'S AND: *MY:GENUINE MIRACLES,SIGNS...."
*MAKING, *THEIR:OWN:"MIRACLES!!!!"
*COPYING OURS.
*REAL LUCIFEREAN,
"MIRACLES"&HOW:CONVENIENT, *PEOPLE FROM:ENGLAND.
&U,CAN STOP WITH:MEGHAN MARKLE NOW.
*I,AM NOT:ANYONE'S LUCIFEREAN RIDESHARE.
*HER NAME=THEE-REVELATION 12 LOT-RE-T-C ANAGRAM CONFIRMATION=
*RACHEL(RACHEL)(RA-CH-E-L)
* ME-G-HAN
*M-AR-K-L-E
*SHE IS NOT WHO:ONLY,I,CAN, EVER-ETERNALLY BE:CONCEIVED AND BORN:SEALED-ETERNALLY,
*IN AS.
*FINAL ANSWERS ARE:ETERNALLY-SEALED IN.
*REVELATION 12 LO'T-RE-T-C ON:THE BIBLE IS ABSOLUTELY CLEAR THAT THERE IS:NO-RACE-MIXING-ALLOWED& THAT U ARE NOT, ALLOWED TO: DIVIDE: JESUS AND: I,
■ ASSUNDER.
■~MY:SINGING:
■FROM: THIS: MOMENT~
■BY:S-HAN-I'A TWAIN
■~MY- SINGING:FIDELITY~
BY:REGINA SPEKTOR
*BEST RECEPTION COME TO:FIND OUT,
*IS TO:CHECK SOUND ON: BOTH:MOBILE PHONE AND PC SPEAKERS.
*DEPENDS ON THESE.
*Past earthquakes in Natalie, Pennsylvania, USA: 2020 -
Updated: Aug 17, 2023 06:36 GMT - just now
QUAKES IN 2020:
- 1 quake above magnitude 2
- 5 quakes below magnitude 2 that people normally don't feel.
In 2020, Natalie had 1 quake of magnitude 2.1. There were also 5 quakes below magnitude 2.0 which people don't normally feel.
*&PLEASE VISIT:Kim LaPointe Rev.12
*JESUS'S AND MY HOLY- BEAUTIFUL:YOUTUBE ACCOUNT,
*TO:ALSO SEE:THEE-ABSOLUTELY-MIRACULOUS *CONFIRMATIONS.
*"RAW"=NOT POLISHED UP:
IS:IN:THEE PROCESS OF:BEING:RE-FINED.
*being uploaded.
&AND ANOTHER ONE:THIS IS: MY:THEE-THIRD RAW PRACTICE SESSION:
*BEST RECEPTION COME TO:FIND OUT,
*IS TO:CHECK SOUND ON: BOTH:MOBILE PHONE AND PC SPEAKERS.
*DEPENDS ON THESE.
~7-5-96.
she-e-la-h & she-la-h~
Strong's Concordance
s'h-ee-la-h & she-la-h: request,
thing
asked for
Part of Speech: Noun Feminine
Transliteration: s'h-ee-la-h & she-la-h
Phonetic Spelling: (she-h-a'y-la-w')
Definition: request, thing asked for
*~OUR TGE ARK II BIG(LARGE)WEDDING CEREMONY~
*~S-HA-I-LA~
PRONUNCIATIONS
DEFINITIONS
n. A question, usually while looking for
a ha-la-chi-c ruling.
EXAMPLE SENTENCES
LANGUAGES OF ORIGIN
- Textual Hebrew
- Yiddish
ETYMOLOGY
Hebrew שְׁאֵלָה she'e-lá, Yiddish pronunciation
[s-ha-y-l'e]
- Orthodox: Jews who identify as Orthodox and
- observe h'a-la-ch-a (Jewish law)
WHO USES THIS
*(s-h' ee-lá)
*~ALTERNATIVE SPELLINGS~
s-ha-y-la, s-ha-y-la-h, s-ha-i-la-
h,
s-ha-y-l'e,
she'e-la, she-i-la-h
*SINGING ETC.:ENTERTAINMENT, FOR:THEE-*KING OF KINGS, AND:THEE-LORD OF LORDS:I,WILL BE, SINGING FOR: WHO HE IS.
*ESPECIALLY IN:OUR VILLAGE AND:KINGDOMS.
*AND:I,WILL PLAY MY BEST FOR: HIM.
*ALL OF:MY:INSTRUMENTS.
*~"TETON"(T'ET-O'N)='T-MOON ETERNAL AND:ETERNAL MOON T-MOON OMEGA NOAH~
*WHICH GOES WITH:THEE-REVELATION 12 LOT-RE-T-C CONFIRMATION PICTURES:
*~"TETON"(T'ET-O'N)='T-MOON ETERNAL AND:ETERNAL MOON T-MOON OMEGA NOAH~
*WHICH GOES WITH:THEE-REVELATION 12 LOT-RE-T-C CONFIRMATION PICTURES:
&OMG!!!!THE MIRACULOUS- CONFIRMATIONS CONTINUE!!!!
*BEAUTIFUL BABY(TALCUM) POWDER CONFIRMATIONS W MOOD MUSIC:INTERLUDE:
~REV.12 LOT-RE-T-C:ABSOLUTELY MIRACULOUS BABY(TALCUM)POWDER CONFIRMATIONS & DANCING THE NIGHT AWAY~
&~YES,I,
LOOK JUST LIKE
THIS WOMAN,
*EXCEPT,
*MY HAIR IS NOT THIS COLOR,
*AS OF:THIS MOMENT
*BUT IT IS:PROPHECIED TO: *BECOME THIS WAY.~
*IN ANY:PROPHECY.
*THIS IS SYMBOLICALLY WHO,I,AM.
*SHE IS:PORTRAYING WHO,I,AM.
*NOONE ELSE.~
&~BY THEE-WAY:NICOLE'S WHOLE NAME&ALL OF THEM,SHE HAS, EVER HAD ARE:REVELATION 12 LOT-RE-T-C ANAGRAM CONFIRMATIONS,
*FOR:WHO,I,AM.
*NOT FOR WHO SHE IS IN ANY WAY, THAT,SHE OR HER LUCIFEREAN, FANCLUB,
*WOULD EVER EVEN WANT,
*TO KNOW ABOUT.~
*NICOLE SHANAHAN KRANZ BRIN...."
*REVELATION 12 LOT-RE-T-C ANAGRAM CONFIRMATIONS=
*(N'IC'O'L'E
*S-HAN-A-HAN
*K-RA-N-Z
*B'RI-N....")
*AND:*(N'I-CO'L'E
*S-HAN-A-HAN
*K-R'A'N-Z
*B'R'-I-N....")
*AND:
*(N'I-C-O'L'E
*S-H'AN-A-HAN
*K-R'A'N-Z
*B'R'-I-N....")
*YES,I,LOVE TO DANCE,AND:I,AM,
*A DANCER. U,KNOW NOT:CORRECT INTERPRETATION,SO,PLEASE STOP TRYING TO DO THIS&THEN,RUN,WITH UR:lWICKED INTERPS!!!!WHILE U,TRY TO:DEVOUR:JESUS AND BURY,WHO,I,AM.
*HELTER SKELTER BY:MOTLEY CRUE...." IS:SYMBOLIC AND:YES,IT IS.
*U,WERE:TRYING TO:RIP MY BABY FROM:BODY.
*DANCING IN"REVELATION 12 LOT-RE-T-C PROPHECY TRAIL:SONG VIDEO:CONFIRMATION,
*ABSOLUTELY IS:SYMBOLIC.
When I get to the bottom I go back to the top of the slide
Where I stop and I turn and I go for a ride
Till I get to the bottom and I see you again.
Where I stop and I turn and I go for a ride
Till I get to the bottom and I see you again.
Do you, don't you want me to love you
I'm coming down fast but I'm miles above you
Tell me tell me tell me come on tell me the answer
You may be a lover but you ain't no dancer.
I'm coming down fast but I'm miles above you
Tell me tell me tell me come on tell me the answer
You may be a lover but you ain't no dancer.
Helter skelter helter skelter
Helter skelter
Helter skelter
Will you, won't you want me to make you
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer.
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer.
Helter skelter helter skelter
Helter shelter
Helter shelter
When I get to the bottom I go back
To the top of the slide
And I stop and I turn and I go for a ride
And I get to the bottom and I see you again
To the top of the slide
And I stop and I turn and I go for a ride
And I get to the bottom and I see you again
Well do you, don't you want me to make you
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer
Helter skelter helter skelter
Helter skelter
Helter skelter helter skelter
Helter skelter
Helter skelter helter skelter
Helter skelter
Helter skelter
Helter skelter helter skelter
Helter skelter
Helter skelter helter skelter
Helter skelter
Songwriters: Paul Mccartney, John Lennon. For non-commercial use only.
*DANCES ARE EVEN NAMED FOR:REVELATION 12 LOT-RE-T-C ANAGRAM CONFIRMATIONS:
*salsa, bachata
*TANGO
*THE WALTZ
*~HERE IS A NOT ALL INCLUSIVE LIST BUT HAS MANY: ~
A
- Ab-a-y'ı
- Ab-bo-t-s Bromley Horn Dance
- A-ch-a-ru-l'i (Georgian folk dance)
- Ac-ro dance
- A-d'an-a
- A-do-w'a dance
- A'ff-ra-n-chi (Haiti)
- Agbadza
- A-gi-r K' a-ra-da-gi'1
- A'i Georgis
- A-la-n-t'a dance
- A-lk' a-y'i-da
- Allemande
- An D-ro
- Angaliastos
- Angama (from Japan's Yaeyama Islands)
- Angelica
- Antikristos
- Antipatitis
- 'Aparima
- Apu Inka
- Arab dance
- Aragonaise
- Arcan
- Ardah (Arab tribal war dance)
- Argentine Tango
- Ar'k-an (Ukrainian, Hu-t's-u'l)
- Armenian line dance
- A's-ma k' a-s-ma
- Assiko
- Assyrian folk dance (Assyrian folk dances)
- A's-y-ik
- Atilogwu
- Atsiapat
- Attan (Pa-s-h-t'un)
- A'w-ki a'w-ki
- Azonto (Ghanaian dance)
B
- Ba-a-g'h Na-a-ch
- Ba-c-c-hu-ber
- Ba-c-hat-a (Dominican Republic, Latin Club, Folk)
- B'a-c-hat-ang-o
- Baagh Naach (Folk dance from Odisha, India)
- Bagurumba (Folk dance of Assam, North-east India)
- B'a-i-l'e de la C'o-n-qu-i-s-t'a
- B'a-i's-ho-u Dance
- Ba-j-i-do-r K'
- a-ho-t
- Bal-muse-tt-e
- B'a-la-d-i
- Balboa (Swing)
- Ball de-l's Cossiers
- B'al-l'e't
- B'al-lo
- B'al-lo-s (B'u-r-ç'a-k t'ar-la-s-ıo-y'un-u) (Greece), (Turkey)
- Ballroom dance
- B'al-lu tundu (Sardinia)
- B'am-bo-u-la
- Bandari dance
- B'ar
- B'a-ra-c-hu-m
- B'ar-do Ch-h-am (Folk dance of Arunachal, North-east India)
- B'ar-i's
- Barn dance
- B'a-ro-qu-e dance
- Barynya (Russian, folk)
- Basse danse (also Basse-dance, Bassadanse,Bassadanze. French and Italian Renaissance dances)
- B'a-s-qu-e dance
- Batuque
- B-Bo-y-in-g (Breakdance)
- B'ea-r Dance
- B'éar-na-i-s'e dance
- Bed-ar-a V'es-ha
- Bed-ha-ya
- Bé-l'é
- Belly dance
- Be-g'u-i-ne, dance of Caribbean origin
- Be-r-d
- Be-re'z-n-ia-n-k-
- a
- Ber-ga-ma-s-k (Be dance, from Bergamo, Italy
- B'ha-ga'v'a-ta Me-la
- B'ha-i-ra-b Na-a-ch
- B'han-g-ra (Folk Dance of Northern India)
- B'ha-ra-t'an-a-t'ya-m (Indian classical dance)
- Big Apple (Line dance)
- B'i-hu dance (Folk dance of Assam, India)
- B'i-na-s'u-a'n
- B'i-ye-l-g-ee (Mongolian)
- B'i-z-hu dance
- Black Bottom (see Lindy Hop)
- Blue-s (Club dance, S-win-g)
- Bo-l'e-ro (American Ballroom, Cuban, European)
- Bo-l-l'y-wood (Indian)
- B'om-ba (Ecuador)
- B'om-ba (Puerto Rico) (African, Caribbean)
- Bo-n O-do-r-i (Ja-pa-ne-s'e)
- Bo-n-d-ar
- Bo-o-g-a-lo-o
- Bo-o-gi-e-w'o-o-gi-e (S-win-g)
- Bo-r-bo-r-bo-r
- Bo-r-de-r Mo-rr-i-s
- Bo-rr-o-w-da-l'e (Z'i-m-ba-b-w-ee-a'n, see Muse-v-e music)
- Bo-s-sa n'ova (B'ra-z'i-l, see Bo-s-sa n'ova music)
- Bo-s-t'on
- Bo-u-rr-ée (his't'o-r-i-cal)
- B'ra-n-l'e (B'ra-n-s-l'e) (his-t'o-r'i-cal)
- Brazilian Z'o-u'k
- Breakaway (see Lindy Hop)
- Breakdancing
- B're-t'on dance
- B'u-c-ha-e-chu-m
- B'u-ga-k'u
- B'u-g'g (a swing dance from S-we-de-n)
- B'u-m'p
- B'u-nn-y Ho-p
- B'u-r-l'es-qu-e dance
- B'u-t'a K'o-la
- Butoh (Japanese)
- Butterfly dance (American contemporary)
- Buyō (Japanese)
- B'ye-o'n-g-s'i-n c-hu-m
- Bygdedans
C
- C-abba-ge Pa-t-ch
- C'a-c-hu-ch-a
- C'a-j'un dance (Lo-u-is-i'a-na, United States Regional, Cajun)
- Cakalele
- Ca-k'e w-a'lk (Swing)
- Ca-la-b-ri-a'n T'ar-a-nt-e'l-la
- Calypso (Caribbean)
- Can-can (Cancan, can can)
- Canaries dance (historical, Renaissance, court)
- Candle dance
- Candombe (Uruguayan)
- Capoeira (dance and martial art, Brazil)
- Caporales (Bolivia)
- Carabinier (Haiti)
- Carimbó
- Cariñosa (dance of love) Philippines
- Carioca
- Carnavalito
- Carpaea
- Castle Walk
- Cat Daddy
- Căluş (Romanian ritual dance)
- Ceili dance
- Cendrawasih
- Ceroc (Modern Jive, Club)
- Chaabi (Moroccan Berber dance)
- Chacarera (Argentina)
- Ch-a ch-a ch-a or C-ha c-ha (C'u-ba, La-t'i-n Ballroom Social)
- C-ha-co-nn-e
- C-ha-i't-i g-ho-da dance
- Ch-a-k'a-c-ha
- C-ha-k-ki-ra-k'o
- Ch-am-a-mé (Argentina, Brazil, Paraguay)
- Ch-ang Lo
- Chapelloise
- Ch-a-ri-k-a-wi
- Ch-a-r-k'u-la
- Ch-ar-l'e-s-t'on
- C-ha-sa-p-ik-o (Greece)
- Ch-e-o-y-on-g-mu
- Ch-e-raw dance
- Chicken Dance
- Chicken Noodle Soup
- Ch-ha-u dance (Folk dance of O-d'i-s-ha, India)
- Ch-ha-ya-m
- Ch-ho-li-ya
- C-ho-o-ba-z-i
- C-ho-re-ia
- C-hu-k-an-o ho-ro
- C-hu-k-c-hu
- Ch'un-c-hu
- C-hu-la (Southern Brasil)
- C-hu-ma-k
- C-hu-m-ba (Garifuna people in several Central America)
- C-hu-na-en'g-je-on
- C'i-b'i
- Cilveloy
- C'i-n-qu-e-p-ace, C'i-n-qu-e-pa-c'e
- Circassian Dance
- Circle dance
- C'i-re-bo-n ma-s'k dance (Ja-v'a, Indonesia)
- C-lo-g dance (British)
- Clogging
- Clowning
- C-lu-t-ha
- Co-c-e'k
- Co-co-lo
- Collegiate shag
- C'om-pa-s (Haiti, Guadeloupe, Martinique)
- Condong
- Conga
- Contact improvisation
- Contemporary dance
- Contra dance
- Cordax Greek / Roman erotic dance
- Cornish dance
- Corridinho
- Corrido
- Cossack dance
- Cotillion
- Country/western dance
- Country dance
- Country/Western Two-step
- Coupé-décalé
- Courante (historical)
- Court dance
- Crip walk
- C'r-n'o-go-rk-a (dance)
- C'r-p'i v'o-da, Jan-o
- Csárdás (Folk, Hungarian; also variants in Slovak dances, Rusyn dances, (Ukrainian dances, Lemko dances))
- Cuarteto (Argentina)
- Cuban rumba
- Cuban salsa
- Cueca (Argentina, Bolivia, Chile)
- Cum-b-ia (Colombia, Club)
- Cum-b'ia Vi-l-l'e-ra (Argentina)
- Cupid Shuffle
D
- D'ab (America)
- D'ab-k'e (A-ra-b folk dance native to the L'ev-a-nt)
- D'a-l-k-ha-i (Folk dance from Western Odisha, India)
- Dance of Osman T'a'k-a
- Dancer's Delight (Scottish)
- Dances of Universal Peace
- D'an-d'an-a-t'a (Folk dance from O-d'i-s-ha, India)
- D'an-d'ia (Folk dance of Gujarat, India)
- Dandiya Raas
- Danza de los Viejitos
- Danza de los Voladores
- Danza de tijeras (Per-u)
- Danzantes de L'ev-a-nt-o
- Danzón
- Da-p-pa-n k'oo-t-hu
- Dashing White Sergeant
- Day-c-ho-v'o ho-ro
- Deer dance
- De-k-nn-i
- De-o'd-han-i dance
- Devil's Sword Dance
- Dhaanto
- Dhalo (from Goa, éIndia)
- Dhamail or Dhamal (from Sylhet, Bangladesh)
- Dhimsa
- Diablada (Bo-l-i'v'ia, Chi-l'e, Peru)Dab
- D'i-la-n (a Kurdish dance, Iran, Turkey, Iraq)
- Dipat
- Diplos horos
- D'ir-k dance
- Disco
- Discofox
- Djolé
- Dollu Kunitha
- Domkach
- Domni
- Double bugg (a swing dance from Sweden)
- Dougie
- Dragon dance
- Duke of Perth
- Dumhal
- Dunhuang dance
- Duranguense
- Dutty Wine - a West Indian, Dancehall-inspired dance
E
F
- Fa'ataupati
- Fan dance (Chinese or burlesque)
- Fandango (Spain)
- Fanga
- Farandole (Provençal)
- Faroese dance
- Farruca
- Festejo
- Figure skating
- Fisounis
- Flamenco (Spanish/Roma)
- Floss (Western)
- Folk dance
- Formation dance
- Forró (dance from northeast of Brazil)
- Foxtrot (Ballroom Social)
- Freak dancing
- The Freddy
- Frevo
- Frug
- Freestyle
- Fugdi
- Funaná
- Furiant
- Furlana
G
- Gainjeonmokdan
- Gair dance
- Gaitanaki
- Galliard
- Galop
- Gambuh
- Gammaldans
- Gandrung
- Ganggangsullae
- Gankino (Bulgaria)
- Gangnam Style
- Gankino horo
- Ganggangsullae
- Garadi
- Garba (folk dance of state of Gujarat, India)
- Garland dance
- Gato (Argentina, Uruguay)
- Gaudiya Nritya (West Bengal, India)
- Gaur Maria Dance
- Gavotte (Brittany), Gavot (historical)
- Gay Gordons
- Gending Sriwijaya
- Geommu
- Gerontikos
- Ghoomar (Folk Dance of Rajasthan, Northern India)
- Ghumura Dance (Folk dance of K' a-la-hand-i, Orissa/O-d'i-s-ha, India).
- Gi-d-d-ha (Folk dance of Northern India)
- Gigue
- Gi-k-na-s
- Gluvo-n'em-o
- Gombey (Ber-mu-da)
- Gombhira
- Goravara K'un-i-t-ha
- Goria dance
- Goseong ogwangdae
- Gotipua (Odisha, India)
- Grancharsko horo
- Grida dance
- Grinding
- Grizzly Bear
- Guaguancó
- Guapacha
- Gumboot dance (Africa)
- Gusharaveli
H
- Ha-ch-a'a
- Ha-i-ha-k dance
- Ha-k'a
- Ha-k-k'en (Dutch)
- Ha-la-y (Turkish, Folk)
- Halling
- Hambo (Scandinavian, Folk)
- Hand jive
- Hardcore Dancing (Urban American Hardcore)
- Harlem Shake
- Hasapiko (Greece)
- Hatzichristos
- Headbanging
- Highland dancing
- Hip hop dance
- Hiragasy
- Historical dance
- Hitch hike
- Hivinau
- Hoedown
- Hojagiri
- Hokey Pokey, also known as Hokey-cokey, Okey-cokey
- Holubka
- Hootchy-Kootchy
- Hopak (Ukrainian)
- Hopak-Kolom
- Hop-tu-Naa
- Hora (many named versions; folk, Bulgarian, Israeli, Romanian, Ukrainian)
- Horon (Turkish, Folk)
- Hornpipe (Ireland)
- House dance
- Huaconada
- Huapango
- Huayno (Peru)
- Hu-la
- Hulivesha
- Hully Gully
- Humppa (see Music of Finland)
- Hunguhungu
- Hustle and its variant, New York Hustle (Club)
- Hu-t-sulk'a
- H'y-porch-ema
I
J
- Ja'i
- Janger
- Jangi
- Jarabe tapatío
- Jarana yucateca
- Java
- Jazz dance
- Jenkka
- Je-r-ki-n'
- J-hi-j-hi-ya
- J-hu-m dance
- J-hu-m'a-ir
- J-hu-m'ar
- J'ig Ireland
- J'ig (Scottish country)
- Jitterbug (Swing)
- Cajun Jitterbug
- Jitterbug Stroll (Line dance, Swing)
- J'i;v-e (Ballroom, International Latin)
- Jo-g'e-d (Indonesian)
- Jo-g-et
- John Wall dance
- Jo-o-ki-n
- Jo-ta (Spanish dance)
- J'o-v'e Ma-la-j Mom-e (Bulgarian folk dance)
- J'u-e-go de m'aní
- Jumpstyle (Techno based dance)
K
- K'ab-a-sa-ra-n
- K-a-c-hā-s-hī (O-ki-na' w-a, Japan)
- K' a-ki-la-m-be
- K'a-la-ma-t'i-a'n-os (Greece)
- Kalbelia
- K'al-ik-a-pa-ta-d'i
- K'al-y-m-n-ik-os (Greece)
- K' a-ma-ri-n-s-k-a'ya (Russia)
- K' am-i-l-i-e-ri-k-os
- K' am-ru-p'-i dance
- K'an-c'et Papatai *(ET=ETERNAL(LY))
- K' a-ne-l-la
- K-angel-i
- K'ang-i-lu
- K' a-os-i-ki-i dance
- K'a-p'i-t'an Lo-u'k
- a
- K'ar-a-k'-a-t't'am
- K' ar-a-na
- K'ar-ik-á-z'ó
- K'ar-ma Na-a-ch
- K'ar-s'i-la-ma-s
- K'a-s-t'o-ri-a'n-os
- K'a-ş-ık H'a'v-a-sı
- K'a-t'ha-k (Classical Indian dance)
- K'a-t'ha-k'al-i (India, incorporates dance)
- K'a-t-s-ab-a-d'i-a'n-os
- K'e-b-ya-r du-du-k
- K'e-ca-k
- K'e-ch-a-gi-a-d-ik-os
- Keisabadi (Folk dance from Odisha, India)
- K'en-s-hi-b-u
- K'e-ra-la Na-t'an-am (Indian dance created by G'u-ru Go-p'in-
- a-t'h)
- K'e-r-ki-ra-ik-os
- K-ha-l'ee-g-y
- K-han-c-ho-b-an-y
- K-ha-sa-p'ik-o (Greece)
- K-ha-t-ta-k Dance (Pa-s-h-t-un)
- K-hi-g-ga (Assyrian folk dance)
- K-ho-n (Thai dance)
- K-ho-ro-v-o'd (Russia)
- K-ho-ru-m'i
- Ki-k-kl-i
- Ki-n-ig-i-t'os
- Ki-z-om-ba (Ang-o-la)
- Kl-e-i-s-t'os (Greece)
- Klezmer (Israeli Jewish)
- Klompendansen (Dutch)
- K'o-ch-ar-i
- K'o'f-t'os (Greece)
- K'o-la-nn-a-lu
- K'o-la-ta
- K'o-l-ba-s't-i (Turkey)
- K'o-lo (S-la-v-ic)
- Kolomyjka (Ukrainian)
- Kontradans (Haiti)
- Kopačka
- Kopanitsa (Bulgaria)
- Körtánc
- Kotsari or K'o-c-ha-ri (Armenian: Քոչարի; Turkish: K'o-ça-ri; Greek: Κότσαρι; Georgian: ქოჩარი; La-z: K'o-ç'ar-i; Azerbaijani: Köçəri)
- K'o-u't-so-s
- K'ō'w-a-k'a-ma-i
- K'o-z'ac-ho-k (Ukrainian)
- Kpanlogo
- K'ra-k'o-wi-a'k (Po-la-n'd)
- K-ri-s-h-na-na-tt-am (India)
- K'r-om-a-nt-i dance
- K'ru-m-p'in-g
- K'u-chi-pud-i (Classical Indian dance)
- K'u-da L'u-m-p-in-g
- K'u-du-ro
- K'u-ja-wi-'ak (Poland)
- Kullawada
- K'u-m'i O-do-ri
- K'u-m-i-na
- K'u-mm-i
- K'u-r-d-is-h dance (Iran and Iraq)
- K-w'a-s-sa k'w-a-s-sa
L
- La'f'i-na
- La-ha-s'u-a
- La'k-a-la-k'a
- Lamb-a-da
- La'm-beth W'al-k
- Lamb-ri K' am-ar-a
- Lap dance
- La-s-ya
- La-t'i-n dance
- La-v'ani(I)(i)(Indian, Maharashtra)
- Lä-n-d-l'e-r (Austria)
- L'e-b'ang Bo-om-an-i dance
- L'e-g-én-ye-s
- L'e-go-n'g
- L'e-ri-k-os (Greece)
- L'e-Ro-c (Modern Jive, Ceroc)
- L'es La-n-c'i-e-r-s
- Letkajenkka (also known as Letkis, L'et=k'a-je-n-k' a, L'et-ki-s-s, L'et-k' a-E'n-k'a, Let's Kiss Je-n-k'
- a, La Ye-n-k'
- a)
- Leventikos (Greece)
- Lezginka (Russian Caucasus Region)
- L'e-z'i-m
- Likok Pulo
- Limbo (dancers pass under horizontal pole)
- Linđo
- Lindy Hop (Swing)
- Line dance
- Lion dance
- Lipothymiarikos
- Liscio (Italian traditional music and dance inspired to Waltz, Polka and Mazurka)
- Llamerada
- Locking
- Long Sword
- Loulouvikos
- Loure (historical)
- Lurish dance (Iran and Iraq)
- Lyrical dance
M
- Ma-a'n-ch
- Macarena (Spain)
- Maculelê
- Madison (Line dance)
- Mag-la-la-t'ik (Folk Dance of Philippines)
- Ma-h'ar-i dance
- Ma-k I'n-ang
- Ma-k'e-do-n'ia
- Ma-k'e-do-n-ik-os a-nt-ik-ri-s-t'os
- Makrinitsa dance
- Ma-k Sa'mo-a
- Ma-k-o
- Ma-la-g'u-e-na
- Ma-l-hã-o
- M'al-w-a'i Gi-dd-ha
- M'am-bo (American Ballroom, of Cuban origin)
- M'am-i-ta
- M'an-d'i-la-t'os
- M'ani-a't-ik-os
- M'ani-p'u-ri (Classical Indian Dance)
- Mapalé
- Map-o-u-k'a
- M'ar-da-na J-hu-m'a-ir
- Marinera (Per-u)
- Ma-s-ch-e-ra-t'a
- Ma-she-d Po-t'a-t'o
- Ma-s-qu-e
- M'a-ta-chi-n (M'a-ta-chi-ne-s)
- Ma-t-ki dance
- Māʻu-luʻu-lu
- May-po-l'e dance
- Ma-x'i-x'e (Social)
- Mazur (dance) (Poland)
- Ma-z-u'r-k'a (Poland)
- M'c-ho-go-ro (May-o-tt-e)
- Me-d-i-ev-al dance
- Meʻet-uʻu-pa-ki
- Me-ke(ke-tu-ra-h)
- Mel-bo-u-r-ne S-hu-ff-l'e (Australia)
- Me-n-o-ra
- Me-re-n'g-u'e (Latin Club)
- Méringue (Haiti)
- Me-t'e'l-y-t-s-ia ((Ukrainian), k-ho-ro-v'o-d)
- Me-t-so-vi-t'ik-os
- M'i-han-ik-os
- M'i-lo-n-ga (see Argentine Tango)
- M'i-n'u-et
- M'ir-z'a-yi
- M'ix-e'r dance
- M'iz-m'ar
- Modern dance
- Modern Jive
- Mohiniyattam (Indian classical dance)
- Molly dance
- Monferrina
- Mo-n-o'd-ip-lo-s
- Moon-walker
- Mo-ra-e-go
- Mo-re-n'a-da (Bo-l-i-vi-a)
- Mo-r-es-ca
- Mo-re-š-k'a
- Mo-rr-is dance
- Mo-sa-k sulmani dance
- Mo-s-hi-n-g
- M-po-u-g'a-t'sa-s
- Mu-go
- Muiñeira (G'al-i-cia, Spain)
- Mu-j-ra
- Mu-l'e
- Mu-r-ga (Argentina, Uruguay, Spain)
- Mu-s-so--ll
- M-w'an-z'e-l-e
N
O
- O N'ik-o-lo-s
- O-be-re-k (also called O-ber't-a-s or O-ber, Poland)
- Odissi a.k.a. O-ri-s-si (O-d'i-s-ha, India)
- O'd-z'e-me-k
- O'ha-f-i-a War Dance
- O'han-g-la dance
- O-ja-p'al-i (folk dance from Assam, India)
- O'k'a-ya-ma
- O-k'u-m-k-pa
- O-leg
- O-m'al
- O-ne-Step
- O-ro (eagle dance)
- Oruro Diablada
- 'ote'a
- ʻo-tu-ha-k'a
- O-w'a dance
P
- P'a-qu-chi
- Pa'o'a
- Pa-c-han-g'a
- Pa-day-ani(I)(i)("an-i"=i I)and:yes,it is AND:YES,IT DOES MEAN THIS IN:HEBREW.)
- Pa-d-h'ar dance
- Pa'go-de
- Pa-id-us-h-k'o ho-ro
- Pa-k-u-ru-mo
- Pa-la-ma-kia
- P'a-lo de Ma-y'o (N'ic-ar-a-g'u-a), Afro-Caribbean influence, not to be confused with May-po-l'e dance
- P'am-b'i-ch-e
- Pa-n-da-n-g-go
- P'a'n-ga-la-y
- P'a-nt-hi (Folk dance of Ch-hat-t'i-s-g'ar-h, India)
- P'a-nt-s'u-la (South Africa)
- P'an-ye-m-b-r'am-a
- Pa-ra P'ar-a
- Pa-ra-i A't-t'am
- P'ar-tal-os
- Participation dance
- P'ar-t'ne-r dance
- Pa-s-sa-ca-g-l'ia (Passacaille) (historical)
- Pa-s-sep-ie-d (historical)
- Pa-s'i-l-lo
- Pa-so-do-b-l'e (Spanish Ballroom, International Latin)
- Pa-v-a-ne (historical)
- Pa-v-ri Na-ch
- Peabody (ballroom)
- P'ea-co-c'k dance
- Pe-e-w'ee style (originated by P'ee-w-ee Herman in P'ee-we-e's Big Adventure)
- P'em-be
- Pendet
- Pe-nt-o-z'al-i (G'r-ee-c'e)
- Perini Shivatandavam
- Per-i'n-i-ța
- Per-k-hu-l'i
- Per-s-i-a'n dance (I-r'a'n)
- Pe-t-ru-n'i-n'o Ho-ro
- P'hu-l-pa-t'i dance
- Pidikhtos (Greece)
- Pilioritikos
- P'ir-go-us-ik-os
- P'i-v'a
- P'iz-z-i-ca
- Plataniotiko Nero
- P'l'e-na
- Po-co-po-co
- Po-d-ar-a-ki (PO-D'A-RA-KI)
- Po-go (A punk dance, consisting of jumping up and down)
- Po-go-n-is-h-t'e
- Po-l'e dancing
- Po-l'k-a - many named versions (B'al-l-ro-om, Fo-l'k, His-t'o-ri-cal)
- Po-lk-a-ma-z'u-r-k'a
- Po-lo-na-i-s'e
- Po-l-s (Norway, Folk, see Po-l's-k' a)
- Po-l-s-k'a (pl.: Polskor; Sweden, Folk)
- Pom Squad
- Pony
- Popping
- Pop, Lock, and Drop It (Hip hop dance)
- Po-t-r-č'u-lk-a
- Po-us-t's'e'n-o
- Po-v-ra-t'e'n-o
- P'ra-v'o
- Prophet-ic dance
- Pro-s-ki-n'i-t-os
- Pr-y-vi-t (Ukrainian)
- P'u-l'i-ya-t-t'am
- P-un-g c-ho-l-om
- Punta (Honduras)
- P'y-rr-hi-chi-os (Dance from Po'nt'os; Greek B'la-c'k S'ea)
Q
- Q-ha-pa-q Qu-l-la
- Qu-a'd-ri-l-l'e
- Qu-ee-r T'ang-o
- Qu-i-c'k-s-t-e'p (Ballroom)
- Qu-e-b-ra-d'i-ta (Mexico)
R
- Ra-a's
- Ra-ib-e'n-she
- Rain dancing
- R'am-v'on-g (C'am-bo-d'i-a)
- Ra-p-per sword
- Ra-q-s s-ha-r-q'i
- La Ra-s-pa
- Ra-u't Na-ch-a (Folk dance of Chhattisgarh, India)
- Re-be-t'ik-o dance-s (Greece)
- Re-d Ri-v-e'r J'ig (Canadian Mé-t'is)
- Re-do-w' a
- R'ee-l (Irish and Scottish)
- Re-g'en-c'y dance
- Re-g-g'a-da
- Re-j-ang dance
- Re-na-is-sa-n-c'e dance
- Re-o'g
- R-hu-m-b'a (a.k.a. ballroom ru-m-b'a; International Latin & American Rhythm)
- C'u-b-a'n ru-m-ba (C'u-ba)
- R'ig-a-u-do-n
- Ri'n-k-a-fa-d-da
- Ro-b-am Me-h Am-b'ao
- Ro-b-am N'ea-r-y Ch-ea C-hu-o'
- r
- Ro-b-am Tep Apsara
- Ro-bo-t dance
- Ro-c'k and Ro-l-l
- Ro-da-t
- Roger de Coverley
- R'om k-ba-ch
- R'om-v-o'n-g
- Ro-n-gg-en'g
- Round dance (two kinds: circular chain, couples)
- Ro-u-ga-t'si-ar-ik-os
- Ru-d-l
- Ru-go-v-o
S
- Sa-d'i Mom-a
- Sa-g'a-y'an
- Sa-leg-y
- Sa-l-sa (Latin Club)
- Sa-l-sa Ru-e-da (Latin Club, Round)
- Salt-a-re-l-lo
- S'am-an
- Sa-m-ba
- Sa-m-ba (ballroom dance)
- S'am-ba-i
- S'am-m'i
- Sa-n-d'in-g
- S'ang-h-y'ang
- S'ang-i'n-i
- S'ang-ra-i dance
- Sa-per-a
- Sa-ra-b-an-de (Sa-ra-band)
- S'âr-b'ă
- S'ar-d'a-na (Ca-t'a-lo-n-ia)
- Sa-tt-ri-ya dance (A's-sa-m, India)
- S-c'ho-tt-i's-ch-e
- S-c-hu-h-p-la-tt-l'e-r
- S-co-tt-i's-h country dance
- S-co-tt-is-h highland dance
- S'ea-n-N'ós Dance (Ireland - Irish Dance in S'ea-n N'ós "Old Style")
- S'ea-nn T-ri-u-b-ha-s
- Se-g'u-i-di-l-la (Spanish, folk)
- S'em-ba (Ang-o-la)
- S'e-qu-en-c'e dance
- S'e-r-pe-nt dance
- S-e-rr-a (Greece)
- S-et Dance Ireland
- S'e-un-g-je-on-mu
- Se-u'n-g-mu
- S'ev-i-l-la-na-s (S'pa-i'n)
- S'e-w-ang dance
- S-ha-g (S-win-g)
- S-ha-k'e
- S-ha-la-k-ho
- S-him S-ha-m (L'i-ne d'an-c'e)
- S-him-my
- S-ho-t'a
- S-i-a'n-os
- Si-k-l-la
- S'i-m-d
- S'i-me-ri-an'i
- Sing-hi Ch-h-am
- Sing-ki-l
- Sing-l'e S-win-g (Sing-l'e T'i-me S-wing)
- Sing-o U-lung
- S'ir-m-pa
- S'ir-ta-ki (S'y-r-ta-ki, Z'o-r-ba) (Greece)
- S'iv-a's b'ar
- S-k'an-k (dance)
- S-ki ballet
- S-ki-p j'iv-e
- S'k-o-č'ná
- S-lä-n'g-po-l-s-k'
- a (Sweden, Folk, see Po-l-s-k'
- a)
- S-lip j-ig (I-re-la-n'd)
- S-lo-w dance
- S-lo-w Fo-x-t'ro-t - also known as Fo-x-t-ro-t and S-lo-w-fo-x (Ballroom)
- S-noa
- So-c'ia-l dance
- So-k'e
- So-k-kie
- So-lo-mo-n Is-la-n'd-s
- dance
- So-n (May-a'n, G'u-a-t'em-a-la/Me-x'i-co)
- Šo-p-k'
- a
- Sō-ra-n B-us-h-i
- So-us-e-d' s-k'
- á
- So-us-t'a (Greece)
- Š'pa-c-ír-k'
- a
- S-per-v'e-ri
- Spring-ar (PER-SEP-HO-NE)
- (H-ONE)
- S-qu-a-re dance
- S-qu-a-re dance (Mo-de-r'n west-e-r'n)
- Sq-u-a-re dance (T-ra-d'i-t'io-n'al)
- S-qu-a't dance
- S't'age diving
- S't-a-mo-u-lo
- S't-a'n-k-y L'e-g-g (G-S Boy-s)
- Star-o-t'ik-v'eš-k'o
- S-ta'v-e dancing
- Step dance (Ireland)
- S't-i-l'et-t'o dance (American contemporary solo dance)
- S't-om-p dance
- S't-ra-t'h-s-pe-y
- Street dance
- The S't-ri-c't-l'y (British television dance)
- S-t'r-ip the willow
- S'u-b-l'i
- S'u-l'e-i-ma-n A-ga
- Sun-d'a-ne-s'e dance
- S'us-cia
- S-win-g (both as family of dances and as specific T'e-x'a-s dance)
- S'y-r-t'os (G-re-ec-e)
- K' a-la-ma-t'i'a'n-os S-y'r't-os (Mainland S'yr-t'os) (G'r-ee-c'e)
T
- T'a-e-p-ye-on-g-mu
- Ta-h-t'ib
- T'am-bo-r
- T'a-m-bo-u-ri-n (Provençal)
- T'a-mu-re
- T'am-z'a-ra
- Ta-n-da-v'a (India)
- T'ang-ga-i dance
- T'ang-o (Ar-g'e-nt-i'na) (Ballroom, Social, C-lu-b)
- Argentine T'ang-o - also known as T'a-n-go Ar-g'e-nt-in-o (So-c'ia-l)
- Uruguayan Tango - also known as Tango Uruguayo (Social)
- B'al-l-ro-om T'ang-o - competitive and social dance styles
- Brazilian Tango - see M'a-x'i-x'e
- F'inn-is-h t'ang-o
- *(ALSO:F'I-NN-I-S-H)
- T'hi-ra-ya-t-t'am (Indian Ethnic dance)
- T'hi-ri-y'u-z-hi-chi-l
- T'ang-ga-i dance
- T'an'o-u-ra (Egyptian dance)
- T'a-p Ch-ar-l'est-o'n (see L'in-d-y Ho-p)
- T'a-p dance
- Ta-pe-i'n-os ho-ro-s
- T'a-ra-k' am-a
- T'ar-a'n-t'e-l-la (Italian, folk)
- T'a-t-s'ia
- Ta-u'o-lung-a (T'o'n-g'an or Sa-mo-an - Po-l-y-ne-s'ia-n origins)
- Ta-u-t'o-g'a
- Ta X'i-la
- T'e-c'k-t'o-n-ik ("t-ck")
- T'e-k-e z'o-r't'la-t'ma-s'i
- T'e'l-lo
- T'em-an-i=(I)(IRIS) (Israeli Jewish dance)
- T'em-u-rag-a
- T'e'r-tal-i
- T'es-h-k'o-t'o
- T'e'x'a-s T'om-my (see L'in-d'y Ho-p)
- Thabal chongba
- T'hi-dam-b'u N'ri-t'h-am
- T'hi-ra-ya-t't-am
- T'hi'r-ra
- The T'his-t'l'e (Scottish ladies' solo step dance))
- T'ho-ma-i
- T'ig-e'r dance
- T'i-n'ik-l'i'n-g (Philippines)
- T'i-me W'ar-p
- T'in'k-u (Bo-l'iv-i-a, Per-u)
- T'o-b'as
- T'on-de-ro (Per-u)
- T'o-pe-n-g dance
- T'our-d'io-n (his-t'o-ri-cal)
- T'o-y-c'u-l'ar y'ar-c'an
- T'o-yi-t'o-y'i
- T-ra-d'i-t'io-n-al dance
- T'ra-n-k-y Do-o (S-win-g, L'i-ne dance)
- T'ra-n'os C-ho-ro-s
- T'ra-t'a (Greece)
- T're-pa-k (The Nutcracker) (Russian dance; character dance from the ballet The Nutcracker)
- T'ro-pa-k (fo-l'k)
- T're-s'en'i-ca
- T'rib-al S't-y-l'e Bell-y Dance
- T'ri-p'u-ri dances
- T-ri-z'al-is
- T'ro-ik'a (Folk, Russian, Ca-j'un)
- T'ro-ja-k
- T'ro-ma-k-t'o-
- n
- T'ro-pa-n'k-
- a
- T-ro-po-t'i-an-k'
- a
- T'sa-k'o-n-ik-os (Gr-ee-c'e)
- T'sa-m'ik-o (Greece)
- T's-est-os
- T's-if't'et-e-l'i (T's-if-t'e-T'e-l'i) (Ç'if-t'e-t'e'l-l'i) (Tu-r-ki-s-h) (Greece)(Ro-m-ani)(A-ra-b'ic)
- T's-in-i-ar-is
- T'ufo
- Tu-m-ba f'ra-n' c'e-sa
- Tu-t-sa N'a-ga
- Tu-tt-in-g
- T'we-r-ki-n-g
- T'wi-s't
- T'w-o-step
- Ca-j'un Two Step
- Country/Western Two-step
- Nightclub two-step - also known as C'al-if-o-r-n-ia Two-step, a-bb-r'n: N-C2-S
- Progressive Double Two
- T'w-o-u'b'ad-o-u (H'a-i-t'i)
- T'y-ro-l' ie-nn-e
U
- U-k-rain-i'a'n dance
- U-la
- U-l'e-k may-ang
- 'u-pa'u-pa, claimed to be the origin of me-re-n-g-u'e music and dance
- U'p-rock (as known as Rock Dance or Rocking)
- U-ra
- U'r-b'an D'an-c'e
- U'z-un-d'ar'a
V
W
- W'a-a'c-king
- W'a'k-a w'a'k-
- a
- W'al-t'z
- War-i
- W'a-tu-s'i (fa-d dance)
- W'a-y-ang won-g
- West Coast S-wing ("W'C'S"; S=wing, United States)
- Western s-win-g (United States)
- So-p-his-t'ic-a't'e-d S-wing (an older name of W'C'S)
- Western pro-me-na-de dance
- W'h-ir-l-i'n-g
- Wilt Thou Go to the B'ar-ra-c'k-s, Johnny?
- Win-t'e-r-guard
- W'o-lo-s-so (Ivory Coast)
- Worship dance
X
- X'a-x-a-do
- X'i-be-la-n'i (traditional S-han-g'
- a-a'n (South Africa))
Y
- Ya-b-lo-ch-k' o (Russian, folk)
- Ya-k-s-ha-g'an-a (K' ar-na-
- t'a-k'a, India)
- Y'ang-g'e
- Y'ar-k-hus-h-t'a
- Ye-in
- Y'in-g-g-e dance
- Y'M-CA
- Y'o-sa-k'oi (Japanese)
- You-z b'ir
- Y'o-v'e male mo-me
- Y'o-w-la-h (rifle dance from U-AE)
- Y'u-p'ik dancing
- Y'u-ru-k'ik-os
Z
- Z'a-h' ar-o-u-la
- Z'am-a'c'u-e-ca
- Z'am-ba (Argentina)
- Z'am-b-ra
- Z'a-o-u-l'i
- Z'a-pa-t'ea-do (Me-x'i-co)
- Z'a-pa-tea-do (Spain)
- Z'a-p'i-n (Ma-la-y traditional dancing, Ma-la-y-s'ia)
- Z'ar-am-be-qu-e
- Z' a-ra-mo
- Z'e-y-be-k dance
- Z'e-i-be-ki-k'o
- Z'e-r-v'o-de-x'io-s
- Z'e-r-v'os
- Z'e-y-be-k dance
- Z'o-na-ra-d'ik'o (Thrace) (THEME)
- Z'o-r'ba's dance, another name for S'ir-t'a-ki (of Greek origin)
- Z'o-u'k (G'u-a-de-lo-u-pe, M'ar-t'i-n-
- i-qu-e, Haiti, Brazil)
- Z'o-u'k-L'am-b-a-da (B-ra-z'i-l)
- Z'wi-e-fa-c-her (Germany)
- Z'y-de-co (Lo-u-i-s'i-a-na, U.S.)
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*THERE IS:NO-ONE WITH:THE NAME:PALIN.
*BUT THERE MOST CERTAINLY IS:PALIN:THEE-REVELATION 12 LOT-RE-T-C ANAGRAM CONFIRMATIONS: THAT COME WITH THIS NAME:"PA-L.I'N."
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