Minerva

MY REVELATION 12 LOTR ETC.CASTLE IN MY HOMETOWN IS STILL HAPPENING.SEALED. SAKIEMLAYECHID.SAKIYECHID.SKIEMLAYECHID.SAKIEMLAYECHID.

"I AM THEE WOMAN."THIS MIRACULOUS HEBREW EVERLASTING MARRIAGE BLOOD COVENANT IS OF WHO IAM STANDING ON THE REVELATION 12 LOTR ETC.CLIFF'S EDGE:MOON."LOTR ETC.

NICOLE WILL NOT STOP TRYING TO MURDER WHO IAM&WILL NOT STOP THINKING SHE IS GOING TO GET MY HUSBANDS TO DIVORCE WHO IAM&LEAVE NATALIE(JORDAN)&GO&MARRY HER&I AM NOT JUST SAYING THIS.

Kimberly Marie(MARY) Lapointe-HANSON(1971)Ma "kimchi"REV.12🛫

🛫

*AND:I AM:"L'IRIS"

A SEXUALLY-BROKEN HYMEN IS NOT ALLOWED.

 la Rose.(fleurira la Rose)(quand fleurira la Rose)
A SEXUALLY-BROKEN HYMEN IS NOT ALLOWED.

*I AM THE ROSE SPOKEN OF IN THE REVELATION 12 LOTR ETC.PROPHECIES&GOD MADE A MIRACULOUS PICTURE OF MY SELF IN THIS ROSE.
*I AM REPRESNTED BY:THE ROSE.
*I AM LIKENED UNTO:MARY MAGDELENE.

Earthquakes Ciburial..."*NO.TO ANY:CHRIST IRIS BURIAL IRIS NOAH DOOR NOAH 
EVE II SION:SAVIOUR IRIS OMEGA NOAH ALPHA:*GOD TOLD U THAT I AM NOT DEAD, *AND THAT I WILL NOT EVER BE DEAD AS WHO IAM ETERNALLY SEALED IN AS. *TIMES EVERY DIRECTION AND EVERY PLACE. *TIMES INFINITY.

*GOOGLE....." IS/ARE TRYNG TO LU-LOO-LOU BURY WHO IAM FOR  A LUCIFEREAN REPLACEMENT COUPLE.

*THEY ARE NOT ANYONE THAT THIS IS ABOUT...."IN ANY WAY THAT THEY EVER WANTED TO KNOW ABOUT

Exodus 20:14 Context

¹¹For in six days the LORD made heaven and earth, the sea, and all that in them is, and rested the seventh day: wherefore the LORD blessed the sabbath day, and hallowed it. ¹²Honour thy father and thy mother: that thy days may be long upon the land which the LORD thy God giveth thee. ¹³Thou shalt not kill. ¹⁴Thou shalt not commit adultery. ¹⁵Thou shalt not steal. ¹⁶Thou shalt not bear false witness against thy neighbour. ¹⁷Thou shalt not covet thy neighbour's house, thou shalt not covet thy neighbour's wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour's. 

17 When Abram was ninety-nine years old, the Lord appeared to Abram and said to him, “I am ^[a]Almighty God; walk before Me and be blameless. ² And I will make My covenant between Me and you, and will multiply you exceedingly.” ³ Then Abram fell on his face, and God talked with him, saying:⁴ “As for Me, behold, My covenant is with you, and you shall be a father of ^[b]many nations. ⁵ No longer shall your name be called ^[c]Abram, but your name shall be ^[d]Abraham; for I have made you a father of ^[e]many nations. ⁶ I will make you exceedingly fruitful; and I will make nations of you, and kings shall come from you. ⁷ And I will establish My covenant between Me and you and your descendants after you in their generations, for an everlasting covenant, to be God to you and your descendants after you.⁸ Also I give to you and your descendants after you the land in^[f] which you are a stranger, all the land of ISRAEL an everlasting possession; and I will be their God.”

(1971) (1971) (1971) 

Rescue, CA Earthquakes | Homefacts

https://www.homefacts.com/earthquakes/California/...

Rescue, CA has a moderate earthquake risk, with a total of 8 earthquakes since 1931. The USGS database shows that there is a 26.89% chance of a major earthquake within 50km of Rescue, CA within the next 50 years. The largest earthquake within 30 miles of Rescue, CA was a 2.8 Magnitude in 2002.

Rescue, CA Earthquakes | Homefacts

https://www.homefacts.com/earthquakes/California/...

Rescue, CA has a moderate earthquake risk, with a total of 8 earthquakes since 1931. The USGS database shows that there is a 26.89% chance of a major earthquake within 50km of Rescue, CA within the next 50 years. The largest earthquake within 30 miles of Rescue, CA was a 2.8 Magnitude in 2002.

detail from Image:Minerva-Vedder-Highsmith.jpeg

Minerva /mɪˈnɜːrvə/ (Latin: [mɪˈnɛrwa]; Etruscan: Menrva) is the Roman goddess of wisdom and strategic warfare, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of defensive war only.^[2] From the second century BC onward, the Romans equated her with the Greek goddess Athena.^[3] Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.

She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts.^[4] She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva",^[5] which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear.^[6] Marcus Terentius Varro considered her to be ideas and the plan for the universe personified.^[7]

Marcus Aurelius sacrificing

Following the Greek myths around Athena, she was born of Metis, who had been swallowed by Jupiter, and burst from her father's head, fully armed and clad in armor.^[9] Jupiter raped the titaness Metis, which resulted in her attempting to change shape (or shapeshift) to escape him. Jupiter then recalled the prophecy that his own child would overthrow him as he had Saturn, and in turn, Saturn had Caelus.

Fearing that their child would be male, and would grow stronger than he was and rule the Heavens in his place, Jupiter swallowed Metis whole after tricking her into turning herself into a fly. The titaness gave birth to Minerva and forged weapons and armor for her child while within Jupiter's body. In some versions of the story, Metis continued to live inside of Jupiter's mind as the source of his wisdom. Others say she was simply a vessel for the birth of Minerva. The constant pounding and ringing left Jupiter with agonizing pain. To relieve the pain, Vulcan used a hammer to split Jupiter's head and, from the cleft, Minerva emerged, whole, adult, and in full battle armor.

A head of "Sulis-Minerva" found in the ruins of the Roman baths in Bath

Minerva is a prominent figure in Roman Mythology. She appears throughout many famous myths. Many of the stories of her Greek counterpart Athena are attributed to Minerva in Roman mythology, such as that of the naming of Athens^[10] resulting from a competition between Minerva and Neptune (mythology),^[11] in which Minerva created the olive tree.^[12]

Raised-relief image of Minerva on a Roman gilt silver bowl, first century BC

Minerva and Arachne[edit]

Arachne was a mortal highly proficient in weaving and embroidery. Not only were her finished works that were beautiful, but also her process, so much so that nymphs would come out of their natural environments to watch her work. Arachne boasted that her skills could beat those of Minerva, and if she were wrong she would pay the price for it. This angered Minerva, and she took the form of an old woman to approach Arachne, offering her a chance to take back her challenge and ask forgiveness^[11]. When Arachne refused, Minerva rid herself of her disguise and took Arachne up on her challenge. Arcachne began to weave a tapestry which showed the shortcomings of the gods, while Minerva depicted her competition with Neptune and the gods looking down with disgust on mortals who would dare to challenge them^[11]. Minerva's weaving was meant as a final warning to her foe to back down. Minerva was insulted by the scenes which Arachne was weaving, and destroyed it. She then touched Arachne on the forehead which made her feel shame for what she had done, leading her to hang herself. Minerva then felt bad for the woman, and brought her back to life. However, Minerva transformed her into a spider as punishment for her actions, and hanging from a web would forever be a reminder to Arachne of her actions which offended the gods. This story also acted as a warning to mortals not to challenge the gods.^[12]

Minerva and owl (right) depicted on Confederate currency (1861)

Minerva and Medusa[edit]

Medusa was once a beautiful human, her beauty rivaled that of Minerva. Later on, Minerva found out that Neptune and Medusa were kissing in a temple dedicated to Minerva herself. Because of this Minerva turned her into a monster, replacing her hair with hissing snakes and removing her charm. Medusa turned any living creature she looked upon into stone. When Perseus approached Medusa he used her reflection in his shield to avoid contact with her eyes, and then beheaded her. ^[10] He delivered the severed head to Minerva, who placed its image on her Aegis.^[12]

Frans Floris, Minerva, The Phoebus Foundation

Taming of Pegasus[edit]

When Perseus beheaded Medusa some of the blood spilled onto the ground, and from it came Pegasus. Minerva caught the horse and tamed it before gifting the horse to the Muses. It was a kick from the hoof of Pegasus which opened the fountain Hippocrene.^[11] When Bellerophon later went to fight the Chimera he sought to use Pegasus in the fight. In order to do this he slept in Minerva's temple, and she came to him with a golden bridle. When Pegasus saw Bellerophon with the bridle the horse immediately allowed Bellerophon to mount, and they defeated the Chimera.^[12]

Elizabeth Carter portrayed as Minerva

Turning Aglauros to Stone[edit]

Metamorphoses by Ovid tell the story of Minerva and Aglauros. When Mercury comes to seduce mortal virgin Herse, her sister Aglauros is driven by her greed to help him. Minerva discovers this and is furious with Aglauros. She seeks the assistance of Envy, who fills Aglauros with so much envy for the good fortune of others that she turns to stone. Mercury fails to seduce Herse.^[11]

Minerva and Hercules[edit]

Minerva assisted the hero Hercules. In Hyginus' Fabulae she is said to have helped him kill the Hydra (30.3).^[10]

Minerva and Odysseus[edit]

Minerva assisted the hero Odysseus. Hyginus describes in his work Fabulae that Minerva changes Odysseus' appearance in order to protect and assist him multiple times (126).^[10]

Inventing the Flute[edit]

Minerva is thought to have invented the flute by piercing holes into boxwood. She enjoyed the music, but became embarrassed by how it made her face look when her cheeks puffed out to play. Because of this she threw it away and it landed on a riverbank where it was found by a satyr.^[13]

Painting of Minerva visiting the Muses

Minerva was worshipped at several locations in Rome, most prominently as part of the Capitoline Triad. She was also worshipped at the Temple of Minerva Medica, and at the "Delubrum Minervae", a temple founded around 50 BC by Pompey on the site now occupied by the church of Santa Maria sopra Minerva.

The Romans celebrated her festival from March 19 to March 23 during the day which is called, in the neuter plural, Quinquatria, the fifth day after the Ides of March, the nineteenth, an artisans' holiday. This festival was of deepest importance to artists and craftsmen as she was the patron goddess of crafting and arts.^[14] According to Ovid (Fasti 3.809) the festival was 5 days long, and the first day was said to be the anniversary of Minerva's birth, so no blood was to be shed. The following four days were full of games of "drawn swords" in honour of Minerva's military association.^[15] Suetonius tells us (Life of Domitian 4.4) that Domitian celebrated the Quinquatria by appointing a college of priests who were to stage plays and animal games in addition to poetry and oratory competitions.^[16] A lesser version, the Minusculae Quinquatria, was held on the Ides of June, June 13, by the flute-players, as Minerva was thought to have invented the flute^[17]. In 207 BC, a guild of poets and actors was formed to meet and make votive offerings at the temple of Minerva on the Aventine Hill. Among others, its members included Livius Andronicus. The Aventine sanctuary of Minerva continued to be an important center of the arts for much of the middle Roman Republic.

As Minerva Medica, she was the goddess of medicine and physicians. As Minerva Achaea, she was worshipped at Lucera in Apulia where votive gifts and arms said to be those of Diomedes were preserved in her temple.^[18][19]

We know due to the Acta Arvalia that a cow was sacrificed to Minerva on October 13th 58 AD along with many other scrifices to celebrate the anniversary of Nero coming to power. On January 3rd 81 AD, as a part of the New Year vows, two cows were sacrificed to Minerva (among many others) to secure the well-being of the emperor Titus, Domitian Caesar, Julia Augusta, and their children. On January 3rd 87 AD there is again record of a cow being sacrificed to Minerva among the many sacrifices made as a part of the New Year vows.^[20]

In Fasti III, Ovid called her the "goddess of a thousand works"^[15] due to all of the things she was associated with. Minerva was worshipped throughout Italy, and when she eventually became equated with the Greek goddess Athena, she also became a goddess of battle. Unlike Mars, god of war, she was sometimes portrayed with sword lowered, in sympathy for the recent dead, rather than raised in triumph and battle lust. In Rome her bellicose nature was emphasized less than elsewhere.^[21]

According to Livy's History of Rome (7.3), the annual nail marking the year, a process where the praetor maximus drove a nail into to formally keep track of the current year, happened in the temple of Minerva because she was thought to have invented numbers.^[22][23]

There is archaeological evidence to suggest that Minerva was worshipped not only in a formal civic fashion, but also by individuals on a more personal level.^[24]

Roman coinage[edit]

Minerva is featured on the coinage of different Roman emperors. She often is represented on the reverse side of a coin holding an owl and a spear among her attributes.^[25]

Worship in Britain during Roman occupation[edit]

During the Roman occupation of Britain, it was common for carpenters to own tools ornamented with images of Minerva to invoke a greater amount of protection from the goddess of crafts. Some women would also have images of her on accessories such as hairpins or jewellery. She was even featured on some funerary art on coffins and signet rings. ^[26]

Bath[edit]

During Roman rule Minerva became equated with the Celtic goddess Sulis, to the degree where their names were used both together and interchangeably.^[26] and was believed to preside over the healing hot springs located in Bath.^[27] Though Minerva is not a water deity, her association with intellectual professions as Minerva Medica she could also be thought of as a healing goddess, the epigraphic evidence present makes it clear that this is how Minerva was thought of in Bath.^[27]

Some of the archaeological evidence present in Bath leads scholars to believe that it was thought Minerva could provide full healing from things such as rheumatism via the hot springs if she was given full credit for the healing.^[26]

The temple of Sulis Minerva was known for having a miraculous altar-fire which burned coal as opposed to the traditional wood.^[26]

Carrawburgh[edit]

There is evidence of worship of Minerva Medica in Carrawburgh due to archaeological evidence such as a relief depicting her and Aesculapius.^[27]

Main article: Menrva

Stemming from an Italic moon goddess *Meneswā ('She who measures'), the Etruscans adopted the inherited Old Latin name, *Menerwā, thereby calling her Menrva. It is presumed that her Roman name, Minerva, is based on this Etruscan mythology. Minerva was the goddess of wisdom, war, art, schools, and commerce. She was the Etruscan counterpart to Greek Athena. Like Athena, Minerva burst from the head of her father, Jupiter (Greek Zeus), who had devoured her mother (Metis) in an unsuccessful attempt to prevent her birth.

By a process of folk etymology, the Romans could have linked her foreign name to the root men- in Latin words such as mens meaning "mind", perhaps because one of her aspects as goddess pertained to the intellectual. The word mens is built from the Proto-Indo-European root *men- 'mind' (linked with memory as in Greek Mnemosyne/μνημοσύνη and mnestis/μνῆστις: memory, remembrance, recollection, manush in Sanskrit meaning mind).

The Etruscan Menrva was part of a holy triad with Tinia and Uni, equivalent to the Roman Capitoline Triad of Jupiter-Juno-Minerva.